By using tiny grains of colour the possibility of evolution is retained in each part of the painting. The white of the canvas is a source of light, colour acting in front of it as a screen or as a shadow.
These paintings are an attempt to create, not a finite object, but a whole world into which the spectator is drawn. The long attenuated horizons continue in either direction indefinitely. The discs are of uncertain scale, they can appear vast in limitless space, or tiny but containing huge space within them, like a molecular structure.
(Hilary Lane, “Roads, Sky - Jeanne Masoero Paintings”; Gardner Centre for the Arts, University of Sussex, May 1981)